Have you got any plans, Jim? Do you want us to find a cure and save the world or just fall in love and fuck? Plans are pointless.

No 454 - 28 Days Later
Director - Danny Boyle

So, somewhere in the cruel laboratories of Cambridge Sylvester Stuart is Clockwork Orange-ing chimps for some reason (seriously... what is the experiment?) and the activists are not happy. Thusly they release the rage infected monkeys and all the shit goes down.

So begins this amazing little apocalypto-drama. For all the visceral introduction, cut editing, strobey lights and salivating primates, the post title moments are wonderfully still and quiet. Cillian Murphy (beautiful face wild wild eyes) plays Jim who wakes up naked in an isolated hospital. Looking at his hair he either had some kind of head surgery or he is a trendy Shoreditch wanker.
What appears to have happened is that Jim has woken up in the aftermath of a zombie apocalypse (even though they're Rage infected.... and not zombies) - this fact is beautifully portrayed by shots of Jim walking through abandoned London. I know this has been done in America with I Am Legend and Vanilla Sky - but I'm a Londoner, and there is something truly haunting in seeing my local landmarks empty. It is haunting. It is unnatural. The scene in which Eros has been turned into a noticeboard is particularly gut wrenching. With no words and only one person, Danny Boyle has shown true despair.

Jim's confused questions are answered as he joins a rag tag group of survivors including Tia Dalma and Mad Eye Moody and the film, for a brief middle moment, becomes a bit Standard Zombie Survival film. Complete with all the cliches of driving into tunnels and splitting up and shit.
Where the film really picks up is when our protagonists meet up with Christopher Eccleston military gang. Featuring such luminaries as The Sweaty Suiter from Alice in Wonderland and Ronny From Eastenders. Here we face the truth that actually, the depths people are willing to go for survival can be just as scary, if not more scary, than the slathering disease riddled hordes. It is either that or the military are cunts. That could be the moral.

So a series of events occur within the human camp which feature murders and threats and lots of implied rape... this makes Jim go mad. You might say he gets in a bit of a Rage.
In fact, what is so great about this is that in those final scenes there really isn't much difference between the film's hero and the monsters which have been the scary villains. Cillian Murphy already has scarily wild eyes, and he can really portrayed the desperate man who's sanity has pretty much cracked. his actions are questionable and extreme - but he has been pushed to breaking point over a traumatic few days and left to die several times. You can kind of understand why he has decided to lay some serious smack down.
Cue some violent vigilante action as the military are taken down by a lone topless man with nothing to lose. The sequence is tense, at times horrific and frequently, oddly, beautiful (in how it is shot and that) - mainly down to the score.

In the House, In a Heartbeat by John Murphy is a masterful piece of music - it manages to take the intensity of the scene and build on the tension, layering the musical parts until it is almost unbearable, before finally dropping into a wild and distorted cacophony.
It is one of the best pieces of modern scoring and it is only a shame that John Murphy seems so content to whore it out on every film he scores.

What I love about this film is that it changes enough to keep you from getting bored... and that it does tell you a truly bleak story in which no one is really a nice person. There is even a little happy ending to try and cancel out the visceral intensity of the previous scenes.

It kind of works.

But I prefer the bleak ending of 28 Weeks Later (even though it is a weaker film)

I chose not to choose life. I chose somethin' else. And the reasons? There are no reasons. Who needs reasons when you've got heroin?

No 316 - Trainspotting
Director - Danny Boyle

Ah the 90's and Cool Britannia.
We had Blur. We had Oasis (though I prefer Pulp - who have a song in this film - over either of them). We had Lock Stock and we had this.

'Hollywood Come In - Your time is up' rang the critic quote on the poster. The poster which even today adorns roughly a bazillion bedrooms of students and young adults.

This is one cool film. From the first seconds of the film with the 'dum dum dum' of Lust for Life playing under Ewan McGregor's Renton's iconic 'choose life' speech this film is showing itself as incredibly cool. Yet it walks a very intelligent (and very dangerous) tightrope. You see this film is incredibly cool and it shows taking heroin to be a very lovely and somewhat morish thing. But... in NO way does it glamorise heroin use.
The characters live in horrible squalid squats. There is a lot of poo throughout this film. There are a lot of robberies and a lot of violence.

For every scene in which you see people lying in bliss there are scenes (far longer, more important scenes) of utter horror. Allison's baby dies whilst she is on drugs - a horrible image which haunts the viewer throughout the film, almost as much as it haunts Renton throughout. However, the real warning comes from Tommy. A character that begins the film as one of the few normal people in their social group (he doesn't take drugs. He isn't a psychotic bastard) however after being dumped by his girlfriend he gets involved and everything spirals out of control.
It is quite sad that when we return to Tommy several months after his first hit he is living in a vandalised, dirty, unfurnished flat just lying on a sweat and piss stained mattress. When we return for the 3rd time. He is dead.

Spud ends up in jail, and later seen doped up on the side of a road (literally in the gutter) but Tommy is the warning - Heroin is not only not glamorous, it'll get ya killed.


In fact - for me the most chilling scene is the scene in which Renton overdoses. The mix of imagery as the panicked dealer drags Renton's twitching passed out body into a taxi with the soft tones of Perfect Day by Lou Reed. It is really a moving sequence - worth the price of the ticket alone. And seeing Renton suffer in that moment and the horrific 'cold turkey' sequence would put anyone off heroin forever.

But really this isn't a film about Heroin. It is about Renton trying to get clean, but mostly it is about Renton and his friends. It just turns out that most of his friends are Heroin users. However, the most dangerous of his 'friends' is clean.

Begbie. Fucking Begbie. Robert Carlysle at his most psychotic and terrifying. He has played a lot of psychopaths in the past, but the real chilling thing is how grounded in realism Begbie is. He is just a nutter that enjoys getting into fights. He is that massive cliche... a big violent jock. He is the one that Renton can't escape - he is the one that drags him back to heroin, despite being clean and very anti-smack.
The rest of the cast pale in comparison with Begbie though. Spud is an idiot, a gormless, harmless, smack addict idiot and Sick Boy is a wise alec twat. The other characters are all parents or girlfriends. Bit players in the grand scheme of things. Although I was very amused to see Shirley Henderson playing Spud's girlfriend. Oooh Moaning Myrtle talking about sex and swearing. Love it.

In fact, besides Begbie there is only one character that made an impact. Diane. I think she is hilarious and very cool (obviously as does Renton) and the fact that she is a school girl is hilarious (she is the least convincing teenager though - Kelly MacDonald was 20 at the time and I presume she is supposed to be 14 or 15 in this film.) - but despite scaring Renton to death with worry about going to jail, she turns out to be his most important ally. She writes to him and she cares for him and she's glad when he's off the junk. I like to think they eventually get together. When she has grown up.


The whole film is a slow wake up call. Not about drugs. Renton knows he is addicted. He knows it is bad. He says he should get off it at the very start of the film (that's what makes each failure so crushing). The film is a wake up call that he needs to get away from his idiot friends who bring him down.

So when he finally runs away with the profits of the big drug deal, you cheer.



You want Renton to have 16k to build a better life.



You want Renton to get better and to choose life.



You also know that jail can't hold Begbie forever.... So you want Renton to get far far away.